He was a blue-furred creature, with red and purple hair, big yellow teeth capped with green mold, and a green, hard plastic nose that protruded three inches out from his face. At full height stood about as tall as my chest at the time. He was a My Pet Monster.
For the years to follow, Honk was my single most prized possession.
Things were never simple in the imaginary worlds of my sister I created. Thus, each of our stuffed animals had its own name and identity; moreover, its own distinctive silly voice assigned to it. There was John Crusher the giant panda and his son Bob “The Slob,” the hapless cook who specialized in “glop;” there was Tammy the snow leopard to whom John was betrothed, who had a proclivity for biting butts. We had Joe Iceberg, friendly polar bear and John’s drinking buddy. Walter, the snooty gray housecat. Petey the musclebound rabbit. Brownie and Spot, Pound Puppies and early favorites who receded to lower profile roles and never developed fully fleshed out personalities as our collection expanded and grew more interesting.
I’m barely scraping the surface here.
There was Honk. My favorite. Sometimes politician, sometimes professional wrestler, sometimes author, sometimes voracious enough eater to consume small planets in a sitting. On one fateful night, on the eve of a new school year, our make-believe world became a school, with each of the animals assigned a teacher role. That night, Honk became an art teacher, a role through which he gained his last name: Creative.
And there was Mud Puddle. My sister’s favorite, an over-sized brown Pound Puppy, wedded to a fancier border collie named Shannon, with whom he raised his son, a miniature version of the same Pound Puppy we creatively dubbed Mud Jr. Mud was a scientist most of the time, but also fairly often a musician with a Rowlf the Dog-like propensity for flopping on the keys of our toy piano to sing songs (a bit morbidly, often songs about death).
But beyond the imaginary worlds we created, Honk was my constant companion when I would otherwise have gone it alone. I’d bring him with me to sit on the steps by the front door to read, or write, or draw. I’d bring him to the basement with me for company while I played Nintendo. And, yes, I’d cuddle with him while I slept at night.
As I mentioned before, each of the animals had its own distinctive voice. Honk’s was a high pitched, crackly one that I put on to embody the character’s eccentricity. That said, the choice may have been prophetic. By the time I hit puberty, I had outgrown most of our make-believe world, and so, too, had I lost the ability to speak in Honk’s original inflection.
And there was Honk’s nose. The boldest part of the monster, which designers didn’t necessarily engineer with a great deal of foresight. Yes, it looked impressive, but, no, it wasn’t built to withstand a kid’s rough and tumble. The nose cracked at its base, the fracture spreading by degrees until the whole thing fell off of him.
I stopped carrying Honk around the house. Then I stopped sleeping with him. When I left for college, I left him seated on the shelf of my bedroom closet, all the while cracking weak jokes about actually having a monster in my closet. When I came home for breaks, I’d always take a moment to pull open the close door and look at him. Sometimes I’d even hug him, for old time’s sake.
One year, my sister bought me a new My Pet Monster for Christmas--a sweet, if impractical gift that I’m sure was meant to celebrate a piece of our shared childhood nostalgia, but which I didn’t have much to do with, living ten months out of the year in college dorm rooms. The new model was a little smaller by every proportion, most notably with a much smaller nose, better plotted for a long life with one’s face intact. I put the new monster up in the closet with Honk.
More years passed. After college, I rarely came home aside from Thanksgiving and Christmas. Then, not long after I moved to Baltimore, Thanksgiving fell from my regular visitation schedule as well, so that more often than not I was back in the old house for just three or four nights a year. Perhaps it was the scarcity of the visits that renewed my interest in saying hello to Honk each time I was home, as often as not snapping a picture of him on my phone, or taking a second to rub his head like a dog or shake his hand as if he were a man.
A couple years later, I started the slow process of moving the last of my remaining possessions out of the old house, loading two or three boxes of my old things in the trunk each time I went home. As I neared the end of that process, there came a point when I looked at the two monsters in the closet—the old one that I knew I’d never want to say goodbye to altogether. The newer one that I didn’t feel so attached to. I thought of taking Honk back to Baltimore with me.
Then, I looked at him in juxtaposition to that goofy newer model. Leaning toward him, with brighter eyes, while Honk stared straight ahead, as if refusing to make eye contact.
I thought maybe the youngster was annoying him to death.
In the end, more rational heads prevailed, and I set aside my concerns for either monster’s emotional well-being, wrapping Honk in a garbage bag, placing him in my trunk, and seven hours later, setting him up in his new home in the bedroom closet of my little apartment.
I can’t claim to play with Honk these days. Truth be told, the way I have my closets organized I don’t even need to go into the closet where he sits on a daily basis. But I know he’s there.
On nights when I think of it, I keep that door open when I sleep. I imagine my old buddy might watch out for me like he did when I was a kid. I know I’ll smile if I wake up and he’s the first thing I see.